How furious she must be, now that she’s been taken at her word.” She stays in her home, but it doesn’t seem to agree with her. The character of Serena Joy in The Handmaid’s Tale is a former televangelist who articulates theocratic policy suggestions that have now forced her, like all women, into a life solely at home: Atwood writes of Serena Joy, “She doesn’t make speeches anymore.

The book mirrored the United States’ embrace of conservatism, as evidenced by the election of Ronald Reagan as president, as well as the increasing power of the Christian right and its powerful lobbying organisations the Moral Majority, Focus on the Family and the Christian Coalition – not to mention the rise of televangelism. When it debuted in 1985, Atwood even took newspaper clips to her interviews about the book to show her plot points’ real-life antecedents. Before a coup toppled the US government to form the new theocratic state Gilead, she was married to a man named Luke and had a young daughter.īecause of this, Atwood’s novel has an eerie way of always feeling of the moment, as it turns out, from its first publication through every other iteration that has followed. (Her name derives from the term “of Fred.”) She’s one of the still-fertile women rounded up for the job of reproduction after many women in the ruling class were rendered infertile by environmental toxins. As a handmaid in the Republic of Gilead, she must routinely submit to ritualistic sex with her commander, Fred.

The handmaid we’re presumably seeing in most of these images, though we often don’t know for sure, is Offred, the tale’s narrator. For more than three decades, the image has shown up on the covers of the book around the world, on posters from the 1990 film, in ads for the 2017 TV series, and even on real women at demonstrations for reproductive rights. Margaret Atwood’s 1985 novel The Handmaid’s Tale seared this image into our souls with its depiction of a near-future dystopia in which women are forced into reproductive slavery to bear the children of the elite – and wear this uniform to underline their subservience. A white, wide-brimmed bonnet and a red cloak have come to mean one thing: women’s oppression.

The handmaid's tale by margaret atwood